Bidding on 1890 lots has ended on
6th March 2022.
91% of all lots sold
Own a similar product you want to sell? We are here for you at +49 8541 9053699
HOW CAN I PAY FOR MY ORDER?
You will receive an e-mail confirming your successful bids the day after the auction has ended. In your personal my ratisbon's you will be able to inform us about your most convenient payment method for this order or tell us about an alternative shipping address.
If we don’t hear from you within 24 hours, we will send an invoice choosing the payment and shipping options which we think are the most comfortable ones to you. If you decide to change your shipping or payment method after receiving your invoice, just drop us a line or visit my ratisbon's/ORDERS for any more details.
Choose your payment method when ordering and submit your order. Once your order has been received we will send an invoice including your shipping costs and your payment instructions.
After receiving the invoice, the order must be paid within 7 days.
Please contact us to discuss layaway options.
To learn more about paying at ratisbon's, please see your FAQ pages.
HOW DO YOU SHIP MY NEW TREASURES?
We usually send out orders within 1-3 working days after your payment has been received. In most cases, we are faster than this! We will inform you when your goods are being dispatched and provide a tracking number, In addition, you can always check your order status at my ratisbon's/ORDERS. Delivery times will vary depending upon the delivery destination and type of shipping service you have chosen.
If you prefer to have your order shipped to your work address or a friend during your absence, we will happy to arrange this for you. Send us an email letting us know about your new shipping address and we will be happy to send an updated invoice to you.
We only offer collectables which to the best of our specialists knowledge are authentic. About 15% of all consignments are returned to the consignor after extensive research due to authenticity issues.
Unlike traditional auction houses we do offer a full right of return. If you are not satisfied with what you won or bought, you may return it within 14 days. Please inform us and we will instruct you on how to return the goods. For more information, please visit FAQ pages.
Important note: Cancelling bids after an auction may disappoint the consignor, who like you is a collector. This situation is easy to avoid. We encourage you not to bid on any collectable if you are unsure if it fits into your collection. Ask us to cancel your bid 24 hours prior to the end of an auction to avoid this situation.
Karl Diebitsch (January 3, 1899 Hannover - August 6, 1985 in Kreuth)
Diebitsch attended school in Hanover and then began an apprenticeship as a decorative painter. Due to the First World War, he suspended his training and volunteered in October 1915 as a war volunteer (navy). He received the Iron Cross, second class, for his service and was promoted to gunner in 1918. After the war, he completed the apprenticeship in decorative painting with the journeyman's examination. In the winter semester of 1919/20 he studied at the Art Academy in Munich, where he attended the drawing school with Hermann Groeber.
In addition to his artistic training, Diebitsch also began to get involved politically when he moved to Munich. As early as 1919 he was in the armored train of the residents' militia in Munich. He met Dietrich Eckart and a little later Adolf Hitler and joined the NSDAP in May 1920 (member number 1463). In the spring of 1920 he took part in the Ruhr battles. In 1921, as a member of the Freikorps Oberland, he took part in battles on the German-Polish border and was seriously wounded in the battles at Annaberg. In Breslau he was one of the founding members of the local NSDAP group. In 1923 he undertook sabotage actions in the occupied Rhineland. Diebitsch viewed the development of the party after it was banned and re-established critically, which is why he resigned and initially did not apply for membership again (this did not happen until 1937 (membership no. 4690956)).
From 1923 to 1925 he attended the Munich Academy again, where he was again a student of the then influential Hermann Groeber. In addition to Diebitsch, important students of Groeber included Thomas Baumgartner, Hermann Otto Hoyer, Ginger Paulsen and Hans Stadlberger. After completing his education at the Academy at the latest, Diebitsch worked as a portrait and genre painter in Munich. The results were remarkable portraits of high quality. The Impressionist-influenced style of his teacher can sometimes be seen in his early works, while he found his own distinctly realistic style at the end of the 1920s.
On April 23, 1925 he married Anna, née Raithel. The marriage produced a son and daughter, Helga.
As late as the 1920s, Diebitsch turned to painting porcelain, but also painted glass and faience. From 1927 to 1931 he was manager of a porcelain painting company in Munich. Due to the economic conditions at the time, demand fell and he was initially unable to find a permanent job.
In 1933 he applied to join the SS, which was granted on September 9, 1934 (SS No. 141990). On the day he joined, Heinrich Himmler promoted him to SS Obersturmfuhrer. For Himmler, as head of the "Department for Cultural Research" within the personal staff of the RF-SS, Diebitsch became a central adviser on artistic questions. Together with Walter Heck, Diebitsch designed the SS uniforms. On January 1, 1936 he became SS Hauptsturmfuhrer, on November 9, 1936 SS Sturmbannfuhrer and on July 25, 1937 SS Obersturmbannfuhrer.
On January 3, 1936, Diebitsch founded the Allach Porcelain Manufactory (PMA) together with SS members Franz Nagy, Theodor Kärner and Bruno Galke.
In the years that followed, Diebitsch received numerous public contracts. Among other things, he designed the scabbard for the SS dagger M36, arranged for the design of SS barracks, created the designs for various postage stamps and designed costumes. His most famous work is certainly the Yule candlestick - the main product of the PMA.
On the occasion of Joachim von Ribbentrop's appointment as SS Obergruppenfuhrer in 1940, Heinrich Himmler gave him the monumental painting "Defense of the Leibstandarte - SS" by Karl Diebitsch.
On January 4, 1937, Diebitsch went to the baptismal ceremony of the then one-year-old Thorisman Wolff, son of Karl Wolff, Heinrich Himmler's chief adjutant. The ceremony was designed by Karl Maria Weisthor, along with Himmler and Heydrich, one of the godparents.
In 1939 Diebitsch was best man at the marriage of Jochen Peiper, whom he had known since 1935, and his wife Sigurd Hinrichsen, one of Himmler's secretaries. Diebitsch remained close friends with the Peipers.
On April 20, 1939, Adolf Hitler awarded him the title of professor at Himmler's request.
From January 15 to July 28, 1940, Diebitsch was commander of the Totenkopf-Standard 11, and then briefly commander of the SS Panzergrenadier Regiment 10 "Westland" and later commander of the SS Flak Abt. "Vikings".
On April 20, 1944, he was awarded the Iron Cross, First Class.
After the Second World War, Karl Diebitsch worked for the Heinrich & Co. porcelain factory in Selb, among other things. At that time, together with Karl Mötsch, he developed the so-called Heinrich Gemmo porcelain, a special method of processing porcelain in which the motif to be painted is concavely ground into the porcelain by hand. In 1955-56 he worked briefly for the newly founded Niederrhein porcelain factory and shortly thereafter (1957) he worked for Lorenz Hutschenreuther in Selb. In 1959 his book “Figuren. Porcelain sculpture then and now” was published (Bamberg). In the last years of his life, Diebitsch returned to painting. He died as a widower on August 6, 1985 in his apartment in Kreuth.
TITLE: untitled [(unfinished) portrait of a seated woman in a dirndl (probably Anna Diebitsch, the artist's wife)]
TECHNOLOGY: Oil on canvas, stretcher, unframed
DATE: undated [around 1935]
SIZE: 125.5cm x 82cm
CONDITION: slightly worn at the edges; sometimes very lightly soiled; Canvas lined at the top; verso canvas slightly stained
For reasons unknown, the present portrait was not completed by the artist or was regarded as preparatory work. This can be clearly seen in the hands, which are only executed in a study-like manner, as well as in the more flat treatment in terms of color of the lower part of the dirndl. This unfinished state in the lower half of the picture is joined to a portrait in the upper half that is once again in Diebitsch’s typical style.
In a three-quarter view, the beautiful woman faces the viewer and looks at us with a slightly open mouth. The hat sits at an angle on the head, so that the diagonal line conveys a certain liveliness and vitality. The face is designed with an eye for the smallest details, wherein various fine grades of color excellently capture the play of light and shadow on the skin.
It can be assumed that the person depicted here is Anna Diebitsch, née Raithel, whom the artist married in 1925. Perhaps the artist's own demands on such a very personal portrait were so high that he left this undoubtedly successful painting in its incomplete condition.